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The Street Philosophy of Garry Winogrand, by Geoff Dyer

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Review

"Geoff Dyer writes books that are easy to enjoy but hard to pin down. . . [His] refusal to be hemmed in (not to mention the cheerful indifference to his own best-laid plans) is what makes Dyer the ideal partner for Winogrand, who hated the term “street photography” even as his name became synonymous with it." (New York Times 2018-03-28)"Physically imposing and visually sumptuous." (New York Times, Editor's Choice 2018-04-05)"An amazing tome of street-style photographs from the legendary documentarian’s 1960s to 1980s archives." (Town & Country 2018-02-22)"Dyer’s riffs are both playful and illuminating, and will make you look anew at the work of a man who once said: “I’m a photographer, a still photographer. That’s it.” As this book reminds us, it isn't." (The Guardian 2018-03-12)"A truly fascinating read." (Tucson Weekly 2018-03-22)"A wildly original journey through both iconic and unseen images from Winogrand's vast archive, with responses to the photographs that are unorthodox, funny and eye-opening." (University of Arizona News 2018-03-22)"A luxurious meditation on the many ways in which the photographer’s remarkable images work. . . there is no one quite as well matched to give voice to Winogrand’s work as Dyer does in this exquisitely layered and thoughtful book." (Huck 2018-03-26)"Dyer and Winogrand co-exist effortlessly, both frenetically productive cranks with commitment issues, whether in theme or form. At its best moments, Street Philosophy embraces the undirected, and uncaring, genius of both its writer and its subject—”In spite—and because of what’s going on, it’s impossible to tell what’s going on,” Dyer writes at one point—and the book is better for it." (Pacific Standard 2018-04-01)"Handsomely designed. . . Dyer provides entertaining commentary for each photo, coaxing possible meanings from the anonymous individuals caught by Winogrand in moments of time." (Milwaukee Shepherd Express 2018-04-03)"When I next want to recall instantly why Winogrand is essential, an exemplar of what photography can disclose about reality and our secret, public selves, Dyer’s will be the first book I reach for." (New York Review of Books 2018-05-06)

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Review

"Dyer has cracked open a window on Winogrand that’s always been there but never been opened." (Jeffrey Fraenkel, Fraenkel Gallery, San Francisco)"Geoff Dyer is so open to every aspect of art that when he turns his eyes and heart to the photography of Garry Winogrand we get the full benefit of his education, his insight, and the transparency of his prose, and we cherish the fact that his voice lives in our head for a moment to intensify and elucidate—but never explain—why these images mean so much." (Matthew Weiner, creator of Mad Men)"Geoff Dyer has created a kind of Rosetta Stone, the key to deciphering Winogrand . . . how Winogrand becomes Winogrand. This book is a revelatory pleasure from beginning to end, a lesson in the pleasure of seeing. It is a smart book, but it’s a wise book, too." (Alex Harris, Duke University, coeditor of Arrivals and Departures: The Airport Photographs of Garry Winogrand)"This handsome collection amounts to an extensive tour of Winogrand’s photographs conducted by a savvy, observant, and highly entertaining guide. No longer still, Winogrand’s images are animated here by the turns and jumps of Geoff Dyer’s lively commentary." (Billy Collins, former Poet Laureate of the United States)"I can’t think of any other book quite like this one: an entirely new, and quite unfamiliar, take on Winogrand and a welcome addition to the work on this iconic photographer. I found the book to be a terrifically good read, as well as a refreshing and innovative take on an artist whose work I thought I knew well." (Corey Keller, curator of photography, San Francisco Museum of Modern Art)

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Product details

Hardcover: 240 pages

Publisher: University of Texas Press (March 18, 2018)

Language: English

ISBN-10: 1477310339

ISBN-13: 978-1477310335

Product Dimensions:

10.2 x 1.2 x 12 inches

Shipping Weight: 4.2 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#418,234 in Books (See Top 100 in Books)

I welcome any chance to see more photos by Gary Winogrand. And Geoff Dyer''s mini-essays on the photos are wonderful. But the book's design and photo quality is unsatisfying. The pictures are unnecessarily small! If the designer had thought to turn the book sideways---with the spine on the short edge---the (mostly landscape format) photos could have filled the whole page, and thus have DOUBLE the area. It's an egregious design error. My sense is also that the reproduction quality on the photos is inferior to the quality in the MOMA New York and the SFMOMA Winogrand books. The images in the present volume seem a bit grayed out, with insufficient contrast and sharpness. Hardly what I'd expected from a deluxe, expensive photo book that's very heavy to hold...and annoying that about half that weight is blank white paper around the small photos. But, with all this said, after spending a few days with the book, I am getting to like it. In certain lights and angles the photos are readable. And the cascade of Dyers's text is king of hypnotic. After an hour or so, everything around me started to look like a Winogrand photo. I was in that world, where everything is interesting.

This book, as described in the author's intro, is based on a template that has been used before on other photographer's work. That is, a sample of work (100 images), one photo on one page and on the facing page a written narrative by the author related to the photo.The photos span much of Winogrand's career, so this could be a good introduction the younger photo aficionados to this photographer's work. Additionally, a good amount of information is presented in the back of the book as to the general dates that the photos were taken (with the limitations of non-digital data in the film capture) and locations. There is also a listing of all of Winogrand's previously released books, for those that may wish to dive deeper.There will never be a set of photos from a prolific shooter like Winogrand that makes everyone happy... only one hundred out of thousands, but this is a good sampling of the many projects he shot over many decades. I was surprised by several color images, and a couple obviously shot with telephoto lenses, since Winogrand and his wide-angle lensed Leica is well known to street photography fans.The narratives from Dyer range from very specific to the photo observations, to thoughts about the general subject. The thing is, they may or may not have anything to do with Winogrand's thoughts while actually taking the said photo. Nothing in the book indicates that Dyer ever actually met or worked with Winogrand, so you can give the narrative whatever value you wish.Physically, this is a very impressive book. The quality makes the price well worth to cost.

I'm a fan of Winogrand and street photography in general, so I was interested in seeing a 'deeper cut' of his works, beyond the many photos we typically see from him. I ended up being pretty disappointed with this book for a number of reasons. In its defense, this book does not contain a lot of the usual shots you may associate with the artist. However even with this in mind, I was not impressed with the curation of photos, many of them are not particularly interesting. This is made all the more painful by the format of the book which is to place a single, fairly small (5x7-ish) sized photo on one page of the spread, with the other page filled with arrogant philosophical paragraphs trying to analyze the work. The writing drones on in paragraph after paragraph, sometimes with elitist tangents about society in general, which seem very incongruous with the photos of Winogrand. Some books you don't love, but you take some pride in keeping them on the shelf for their photos and content, but this one I wish I had not purchased.

It's a decent book with some good info and I'm glad I got it. That being said, I personally do not like explications, explanations and "the meaning" of photos or any other art presented to me. I'd rather just have details on Winogrand's life and shooting style, rather than what this or that might represent in each photo. That's all subjective.

I like Dyer and I appreciate this collection, but in this book some of the essays feel as if he ran out of interesting things to say and thus felt the need to jazz things up with flights of fancy. The essays are not, in my opinion, going to be of much interest to most visual artists or street photographers. He also often comes off as a horndog in discussing images of women, for example stating (paraphrasing from memory) that in a given image it is obvious which of several woman is the real beauty (it is not) which I found to be more about Dyer than about the actual photographs and a little alienating.

...some times he has really interesting things to say, other times he just rambles, (but still, with interesting stuff to say.) Great book, with scads of pictures I’d never seen before. So tune in or tune out that guy on the bar stool beside you, you’ll probably learn something, and either way, have a great time.

Geoff Dyer is one of my favorite writers. I am not a photographer but I appreciate the art of taking interesting photos. This book has dual narratives: the short essays by Dyer and the street narratives exposed by Winogrand's brilliant photographs. I have read and re-read each essay numerous times and absorbed the wonder of each photo. The book is stunning and marvelous, greta gift from Dyer.

Good match here. Dyer is insightful and interesting (maybe even right a few times, who knows?). Winogrand's insistence is always there in a cranky personal way that still manages to resonate decades later now. Nice book.

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